“Screening Clara Schumann: Biomythography, Gender, and the Relational Biopic” Biography 45.1 (2022), 1-26. https://muse.jhu.edu/pub/5/article/869247.
“Performing Black British Memory: Kat François’s Spoken-Word Show Raising Lazarus as Embodied Auto/Biography.” Journal of Postcolonial Writing (Taylor & Francis, 2020): https://doi.org/10.1080/17449855.2020.1737184.
“Life Writing and Celebrity: Exploring Intersections.” With Sandra Mayer. Life Writing (Taylor & Francis, 2019): 149-155. https://doi.org/10.1080/14484528.2019.1539208.
“Experiments in Life-Writing: Introduction.” Experiments in Life-Writing: Intersections of Auto/Biography and Fiction. Palgrave Studies in Life Writing 1. Basingstoke: Palgrave, 2017. 1-36. (peer-reviewed) https://link.springer.com/chapter/10.1007/978-3-319-55414-3_1.
“Feminist to Postfeminist: Contemporary Biofictions by and about Women Artists.” Angelaki: Journal of the Theoretical Humanities 22.1 (Taylor & Francis, 2017): 223-230. (peer-reviewed) http://dx.doi.org/10.1080/0969725X.2017.1286090.
“Live-Lyrik: Körperbedeutung und Performativität in Lyrik-Performances.” Phänomene des Performativen in der Lyrik: Systematische Entwürfe und historische Fallbeispiele. Ed. Anna Bers & Peer Trilcke: Wallstein, 2017. 147-162.
“‘Rais’d from a Dunghill, to a King’s Embrace’: Restoration Verse Satires on Nell Gwyn as Life-Writing.” Life Writing 13.4 (Taylor & Francis, 2016) (peer-reviewed): 449-64, DOI: 10.1080/14484528.2015.1073715.
“The Notable Woman in Fiction: Novelistic Afterlives of Elizabeth Barrett Browning.” a/b: Auto/Biography Studies 31.1, special issue on Biographical Fiction (Taylor & Francis, 2016) (peer-reviewed): 83-107. http://dx.doi.org/10.1080/08989575.2016.1092789.
“Nell Gwyn in Contemporary Romance Novels: Biography and the Dictates of ‘Genre Literature’.” Contemporary Women’s Writing 8.3 (OUP, 2014): 373-390. (peer-reviewed)
http://cww.oxfordjournals.org/content/early/2014/06/05/cww.vpu007.full.pdf?keytype=ref&ijkey=rItCaDR3KFShmfz
“Disparate Images: Literary Heroism and the ‘Work vs. Life’ Topos in Contemporary Biofictions about Victorian Authors.” With Sandra Mayer. Neo-Victorian Studies 7.1 (2014): 25-51. (peer-reviewed) http://www.neovictorianstudies.com/
“Father and Daughter across Europe: The Journeys of Clara Wieck Schumann and Artemisia Gentileschi in Fictionalised Biographies.” European Journal of Life Writing 1 (2012): 41-57. (peer-reviewed) http://ejlw.eu/article/view/25/23
“Performing the Poet, Reading (to) the Audience: Some Thoughts on Live Poetry as Literary Communication.” Journal of Literary Theory 6.2 (2012): 358–382. (peer-reviewed)
“Biographical Fiction to Historiographic Metafiction: Rewriting Clara Schumann.” Brno Studies in English. Special issue: Transgressive Auto/Biography. 37.2 (2011): 145-158. (peer-reviewed)
“The Devil’s Music Master? Perspective Structure in Ronald Harwood’s Taking Sides.” SKASE Journal of Literary Studies 1.1 (2009): 20-34. (peer-reviewed)
“Live-Lyrik: Körperbedeutung und Performativität in Lyrik-Performances.” Phänomene des Performativen in der Lyrik: Systematische Entwürfe und historische Fallbeispiele. Ed. Anna Bers & Peer Trilcke: Wallstein, 2017. 147-162.
“The (Re-)Making of Clara Wieck-Schumann: Celebrity and Gender in Biofiction.” Search for the Real: Authenticity and the Construction of Celebrity. Oxford: Interdisciplinary Press, 2014. 97-112.
“Zum Phänomen des Lesegruppenbooms in Großbritannien.” (With Jakob Lajta.) Leseforum Schweiz 1/2013: 1-11. http://www.leseforum.ch
“Clara Wieck-Schumann in Vienna: The Making of a Star, Retold in Biofiction.” Stardom: Discussions on Fame and Celebrity Culture. Ed. Katarzyna Bronk. eBook. Inter-Disciplinary.Press, 2012. 3-12.
“Clara Schumann: A Life in Letters and Notes”. From the Cradle to the Grave: Life-Course Models in Literary Genres. Ed. Sabine Coelsch-Foisner and Sarah Herbe. Heidelberg: Winter, 2011. 19-27.
“Transformatrix: Confused Cultural Identities in the Performance Poetry of Patience Agbabi”. Restless Travellers: Quests for Identity across European and American Time and Space. Ed. Antonio José Miralles Pérez. Newcastle: Cambridge Scholars Press, 2011. 83-90.
“Paratext in Performance: Live Poetry as a Direct Encounter of Poet and ‘Reader’.” FOCUS: Papers in English Literary and Cultural Studies (2010): 69-83.
“Lip Up Fatty: Marketing Live Poetry as Popular Culture”. State(s) of the Art: Considering Poetry Today. Ed. Klaus Martens. Würzburg: Königshausen & Neumann, 2010. 113-122.
“Hitler the Hilarious: Mel Brooks’ Musical The Producers”. Progress 4 (2008). 12.
“Book Groups – the Pleasure Factor: the potential of school book groups for EFL learners.” English Language Teaching News (Spring 2007): 26-28.